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Rivera KNUCKLE HEAD 2 Instrukcja Naprawy Strona 16

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Knuckle
Head
II
®
PRESENCE
POWER STANDBY
FOCUS MASTER 2 BASS MIDDLE TREBLE GAIN 2 MASTER 1 TREBLE MIDDLE BASS GAIN 1
BOOST SWEET SCOOP BOOST SELECTNINJA NOTCH BRIGHT
INPUTS
LOW
GAIN
HIGH
GAIN
HANDCRAFTED BY
RIVERA RESEARCH & DEVELOPMENT SYLMAR, CA USA
PULLPULLPULLPULL
CLEAN/RHYTHM LEAD/CRUNCH
PULL PULL PULL PULL
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Using shielded cords, connect the Effects Loop Send to the processor’s input, and the processor’s output to the Effects
Loop Return. Adjust the mixture of effect/non-effect sounds at the signal processor, and set the levels at the amp and
processor for lowest distortion. If you use multiple signal processors, connect them in series (processor 1’s output to
processor 2’s input, etc.), and patch the KnuckleHead II’s Send to the first processor’s input and the KnuckleHead II’s
Return to the last processor’s output. If the processor has stereo outputs, you can connect one to the Effects Loop
Return of a second amp.
Placing a signal processor in the effects loop
SEND
LEVEL
RETURN
EFFECTS LOOP
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RETURN
LEVEL
SEND
Z IN
250K Ω
Z OUT
560 Ω
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INPUT
OUTPUT
K
n
u
ckle
H
ea
d
II
®
PRESENCE
POWER STANDBY
FOCUS MASTER 2 BASS MIDDLE TREBLE GAIN 2 MASTER 1 TREBLE MIDDLE BASS GAIN 1
BOOST SWEET SCOOP BOOST SELECTNINJA NOTCH BRIGHT
INPUTS
LOW
GAIN
HIGH
GAIN
HANDCRAFTED BY
RIVERA RESEARCH & DEVELOPMENT SYLMAR, CA USA
PULLPULLPULLPULL
CLEAN/RHYTHM LEAD/CRUNCH
PULL PULL PULL PULL
1
0
9
8
7
6
5
4
3
2
1
1
0
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1
0
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Sending a direct signal to P.A. or recording gear
LINE INPUT
K
n
uckle
H
ea
d
II
®
PRESENCE
POWER STANDBY
FOCUS MASTER 2 BASS MIDDLE TREBLE GAIN 2 MASTER 1 TREBLE MIDDLE BASS GAIN 1
BOOST SWEET SCOOP BOOST SELECTNINJA NOTCH BRIGHT
INPUTS
LOW
GAIN
HIGH
GAIN
HANDCRAFTED BY
RIVERA RESEARCH & DEVELOPMENT SYLMAR, CA USA
PULLPULLPULLPULL
CLEAN/RHYTHM LEAD/CRUNCH
PULL PULL PULL PULL
1
0
9
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5
4
3
2
1
1
0
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TOTAL MIN. z 4 Ω 120W. RMS
SPEAKER JACKS IN PARALLEL
LINE OUT
560 Ω
SPEAKER 2 SPEAKER 1
USE FIRST
TO SPEAKER CABINET
SIGNAL
PROCESSOR
Using a shielded cord, connect the KnuckleHead II’s Line Out to the line input or channel input of a
mixer or recorder. (The signal comes from the amp’s output stage, so all tone, distortion, and overdrive
characteristics are included.) You can use the Effects Loop Send jack instead of the Line Out, too.
Caution: Never use the speaker output.
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