Rivera Quiana Studio Instrukcja Naprawy Pobierz pdf (Strona 17)

Quiana and Fandango 1.0 p 17

Placing a signal processor in the effects loop

INPUT

OUTPUT

Z IN

250K Ω

Z OUT

560 Ω

RETURN

LEVEL

SEND

EFFECTS LOOP

PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL

Using shielded cords, connect the Effects Loop Send to the processor's input, and the

processor's output to the Effects Loop Return. Adjust the mixture of effect/non-effect

sounds at the signal processor, and set the levels at the amp and processor for lowest

distortion. If you use multiple signal processors, connect them in series (processor 1's

output to processor 2's input, etc.), and patch the Quiana/Fandango's Send to the first

processor's input and the Quiana/Fandango's Return to the last processor's output. If

the processor has stereo outputs, you can connect one to the Effects Loop Return of a

second amp.

Sending a direct signal to P.A. or recording gear

WARNING: TO REDUCE THE RISK OF FIRE

OR ELECTRIC SHOCK, DO NOT EXPOSE

THIS EQUIPMENT TO RAIN OR MOISTURE

LINE OUT

560 Ω

TOTAL MIN. Z 8 Ω 55 W. RMS

SPEAKER JACKS IN PARALLEL

USE FIRST

SPEAKER 1

SPEAKER 2

LINE INPUT

TO SPEAKER

CABINET



SPEAKER MUST

BE CONNECTED

Using a shielded cord, connect the Quiana/Fandango's Line Out to the line input or

channel input of a mixer or recorder. (The signal comes from the amp's output stage, so

all tone, distortion, and overdrive characteristics are included.) You can use the Effects

Loop Send jack instead of the Line Out, too. Caution: Never use the speaker output.

You will need to adjust the equalization of the mixer carefully, as this sound differs

greatly from a sound heard by a microphone placed in front of a speaker cabinet. Using

a "Cabinet Emulator" in the signal path may be a good idea to try. Speakers act as giant

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Rivera Quiana Studio Instrukcja Naprawy Strona 17

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